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Título: | Toward an integrative musical score: Orchestrating practice and taste in music consumption |
Título(s) alternativo(s): | Por uma partitura integradora: orquestrando a prática e o gosto no consumo musical |
Palavras-chave: | Theory of practice Taste Music - Consumption Integrative review Teoria da prática Gosto Música - Consumo Revisão integrativa |
Data do documento: | 2021 |
Editor: | Universidade Nove de Julho - Uninove |
Citação: | CASTRO, A. L. de O.; REZENDE, D. C. de; BRITO, M. J. de. Toward an integrative musical score: Orchestrating practice and taste in music consumption. Revista Brasileira de Marketing, São Paulo, v. 20, n. 4, p. 393-421, out./dez. 2021. DOI: https://doi.org/10.5585/remark.v20i4.18041. |
Resumo: | Objective: to present a conceptual structure that promotes the dialogue between consumption practices and taste in the context of music scenes. Method: an integrative review of the existing literature on the topic was carried out, adopting the approach suggested by Torraco (2016). Originality/Relevance: it consists in the understanding that the passive-active listener can perform practices of internalization and externalization of taste in a music scene. This would occur through a process of mutual constitution, dependent on the integration between objects, actions and meanings that make musical practice viable. Results: the conceptual framework presented states that, in a music scene, the learning process in the face of the formation of a taste regime can be guided by active listeners and / or digital platforms. In this way, taste is judged in the face of the listener's experiences, which improves his ability and becomes a particular individual in a music scene. This individual performs performances of taste in a music scene, whether in the sphere of virtual communities; when ritualizing musical practices; or when attending appropriate aesthetic spaces. This would have implications for the listener's musical taste, and may also generate a new taste. Theoretical contributions: an alternative is conceived for the analysis of consumption practices that portray the listeners' tastes, highlighting music as a central element in this process. A research agenda within the scope of music scenes is suggested, contemplating the multiple musical practices that constitute the internalization and externalization of taste. |
URI: | http://repositorio.ufla.br/jspui/handle/1/49690 |
Aparece nas coleções: | DAE - Artigos publicados em periódicos |
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ARTIGO_Toward an integrative musical score Orchestrating practice and taste in music consumption.pdf | 981,13 kB | Adobe PDF | Visualizar/Abrir |
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