Da boca vazia ao Beijo na boca

Abstract

The purpose of this article is to reflect on the constructive tricks of Beijo na boca that wave between hiding and showing, affecting the split configuration of the lyric subject. Fragmentary form, dislocations – both ironic and related to time - correspond to the passage of interdict through language. Accordingly, we retrieve the idea of trauma and catastrophe to think about the aesthetic appearance, its role-playing games and the ways to say about the silence.